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Movie Details
Movie Review
Several super soldier Films from the Universe of Marvel and DC from the West have impress Indian audiences that such a world does Exist. With excessively high box office collections at the Indian Ticket windows, These Movies have not only block out run-of-the-mill Hindi films but also worn out many Bconomic benchmarks. 'Attack - Part 1' is Helmed by first time director Lakshya Raj Anand, Who has been an assistant director in Movies like 'Ek Tha Tiger' and 'Bang Bang', among others. The 30-year old Filmmaker brings an compelling metaverse of chase, thrill, high powered action and artificial intelligence AI with 'Attack - Part 1'.
Arjun Shergill (John Abraham), is an Indian Army soldier, falls for an air cohostess Ayesha (Jacqueline Fernandez), but soon after their short affair and relationship, Ayesha gets killed in a mass gunfire. Arjun gets Paralysed and becomes powerless until Dr.Sabah (Rakul Preet Singh) turns Arjun into a cyber Soldier to save the nation and defence terrorists.
'Attack - Part 1' is an interesting movie to watch. The world Lakshya has created is convincing. While the director takes self determination in making it a typical Bollywood masala Entertainer, it remains true to its genre of sci-fi & action venture, Which is one of its kind. He steals the show by offering an abnormal geopolitical drama.
The Best thing about John is that he is conscious of his physicality and acting competence. He consciously remains wise in go for the kind of Movies he does, and 'Attack - Part 1' is no unmatched. He has been named as a Wood Log on screen, but that’s what goes in his goodwill each time. His precision and action style as a soldier and a Modern patriot make his role even more probable. He is genuine to his audiences and does not let you down.
'Attack - Part 1' might be a start of a new era in the Bollywood film industry only if you ignore the long list of inadequacy and maxim sequences. Since it all comprise down to true Love in our Hindi films, John saves the Nation elegantly in the stylised climax, No matter what.
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